„KAMENI SNOVI“
(Samostalna izložba Đerđi Ačaji, galerija Lucida, Beograd, 2018)
Snovi, misli, senzibilitet, realnost, likovnost...sve zajedno u delu mlade umetnice Đerđi Ačaji moglo bi da počne u nazivu njene prve samostalne izložbe: „Slikarski dnevnik nestajanja“. Baš u tom momentu njena umetnost počela je da se razvija ka dnevniku nastajanja, jer u svojim radovima ona stvara nove likove koji nastaju kroz oblikovanje figuralnih formi ispunjenih osećanjima i zarobljenih u njih, izdvojenih i izdignutih iznad stvarnosti, nadrealne osobene forme u kojima pulsira život u malom. U tim skamenjenim bićima prepoznaje se introvertnost, odnosno koncentracija umetničkog senzibiliteta zatvorena u formi bića koji obitava u indifirentnom odnosu prema spoljašnjim projekcijama stvarnosti. Sa prizvukom nostalgije prema vremenu koje prethodi, odnosno prema ljudima kao nosiocima prethodnih iskustava, znanja, veština, vrlina... Đerđina umetnost teži kontinuitetu, povezivanju smisla postojanja u sadašnjosti u odnosu na prošlost.
Likovno deformisane figuralne forme kao da hoće da zatvore unutrašnju čistinu, braneći osećanje krhkosti, reagujući na otuđenost i težeći snazi individue. U ovom procesu možemo pratiti i trenutak nenametljive angažovanosti u pozivanju na svest o krizi identiteta, poremećaju sistema vrednosti, odnosno marginalizovanju pravih vrednosti i njihovom trajanju. Da li se u ljušturama likovnih formi pojavljuje asocijacija na Kvazimoda, literarnog nosioca socijalne kritike vremena, društvenih okolnosti i predrasuda, odbačenog zbog svojih fizičkih deformacija? Nadovezujući se na zaokupljenost unutrašnjim bićem nameće se logično pitanje, kako preneti sva ta pitanja i osećanja u vizuelnu formu? Đerđi Ačaji to radi voluminoznim oblicima, naginjući ka geometrizaciji, u pojedinim trenucima dramatičnim odnosom svetlosti i senke, prisustva nenametljive kolorističke palete, sa krajnjim ishodom uvek izbalansirane celovite kompozicije. Specifičnost uravnoteženog poteza, obrada svakog izdvojenog dela i spajanje u celinu, dvodimenzionalnost formi, karakteriše njen način likovnog izražavanja, poetiku. U podsvesnoj težnji napuštanja materijalnog sveta zarad povratka u duhovnost na novijim radovima primećuje se pojačan intenzitet definisanja i izražajnosti figuralnih formi ispunjenih emocijom izdvojenom od jave, odnosno skamenjenog sna. U izrazitoj veštini realizacije ideje počiva umetnička snaga Đerđi Ačaji, kaja nastavlja da je vodi dalje, dublje i šire.
Biljana Jotić
“STONE DREAMS”
(solo exibition of an artist Acaji Djerdji, in the Art Gallery Lucida, Belgrade 2018.)
Dreams, thoughts, sensibility, reality, visual arts ... all together in paints of the young artist Đerđi Ačaji are integrated in the name of her first solo exhibition: "Painter's diary of disappearance".At that point, her art began to develop towards the daily emergence, because in her works she creates new characters that occur through the formatting and figurative forms filled with feelings and captures them, extracted and uplifted above reality in surreal identifiable form in which appears the pulsating life in small. In these “stone” beings we recognize introverts as symbol of concentration of artistic sensibility trapped in the form of a being who dwells in indifferent relative to external projections of reality. With experiencesovertones of nostalgia for a time that precedes, towards people’s previous, knowledge, skills, qualities ... art of Đerđi seeks continuity, connecting the meaning of existence in the present than the past.
Art forms that formed the disorder as they want to close the internal clearing, sustaining a sense of fragility, in response to alienation and seeking effective individuals. In this process we can hint unobtrusive engagement in raising awareness of crisis of identity, value system, disturbances or neglection of real values and their duration.
Question is: are the hard-shelled invertebrates look similar as Quasimodo –literary symbol of social criticism, social circumstance and prejudices, rejected because of his physical deformity. Building on the preoccupation with the inner being is the logical question, how to transcend all these issues and feelings in a Visual form?
Đerđi Ačaji succeeded above mentioned in voluminous fuel forms, with hint of geometrical form, in some moments of dramatic relationship of light and shadows, unobtrusive presence of colorful palette, with the end results always balancing the composition as a whole. The specificity of balanced moves, every single part and merge together, form is characterized by its two-dimensionality, mode of expression, Artistic and Poetic. Within unconscious mind she is leaving the material world for the aim of returning into spirituality in her more recent works, noticing the increased intensity of the defining and art of figurative forms filled with emotion which distinct awareness from “rocky” sleep. In her skills of realization lies the artistic strength of Đerđi Ačaji which continues to run further, deeper and wider.
BiljanaJotić
(Samostalna izložba Đerđi Ačaji, galerija Lucida, Beograd, 2018)
Snovi, misli, senzibilitet, realnost, likovnost...sve zajedno u delu mlade umetnice Đerđi Ačaji moglo bi da počne u nazivu njene prve samostalne izložbe: „Slikarski dnevnik nestajanja“. Baš u tom momentu njena umetnost počela je da se razvija ka dnevniku nastajanja, jer u svojim radovima ona stvara nove likove koji nastaju kroz oblikovanje figuralnih formi ispunjenih osećanjima i zarobljenih u njih, izdvojenih i izdignutih iznad stvarnosti, nadrealne osobene forme u kojima pulsira život u malom. U tim skamenjenim bićima prepoznaje se introvertnost, odnosno koncentracija umetničkog senzibiliteta zatvorena u formi bića koji obitava u indifirentnom odnosu prema spoljašnjim projekcijama stvarnosti. Sa prizvukom nostalgije prema vremenu koje prethodi, odnosno prema ljudima kao nosiocima prethodnih iskustava, znanja, veština, vrlina... Đerđina umetnost teži kontinuitetu, povezivanju smisla postojanja u sadašnjosti u odnosu na prošlost.
Likovno deformisane figuralne forme kao da hoće da zatvore unutrašnju čistinu, braneći osećanje krhkosti, reagujući na otuđenost i težeći snazi individue. U ovom procesu možemo pratiti i trenutak nenametljive angažovanosti u pozivanju na svest o krizi identiteta, poremećaju sistema vrednosti, odnosno marginalizovanju pravih vrednosti i njihovom trajanju. Da li se u ljušturama likovnih formi pojavljuje asocijacija na Kvazimoda, literarnog nosioca socijalne kritike vremena, društvenih okolnosti i predrasuda, odbačenog zbog svojih fizičkih deformacija? Nadovezujući se na zaokupljenost unutrašnjim bićem nameće se logično pitanje, kako preneti sva ta pitanja i osećanja u vizuelnu formu? Đerđi Ačaji to radi voluminoznim oblicima, naginjući ka geometrizaciji, u pojedinim trenucima dramatičnim odnosom svetlosti i senke, prisustva nenametljive kolorističke palete, sa krajnjim ishodom uvek izbalansirane celovite kompozicije. Specifičnost uravnoteženog poteza, obrada svakog izdvojenog dela i spajanje u celinu, dvodimenzionalnost formi, karakteriše njen način likovnog izražavanja, poetiku. U podsvesnoj težnji napuštanja materijalnog sveta zarad povratka u duhovnost na novijim radovima primećuje se pojačan intenzitet definisanja i izražajnosti figuralnih formi ispunjenih emocijom izdvojenom od jave, odnosno skamenjenog sna. U izrazitoj veštini realizacije ideje počiva umetnička snaga Đerđi Ačaji, kaja nastavlja da je vodi dalje, dublje i šire.
Biljana Jotić
“STONE DREAMS”
(solo exibition of an artist Acaji Djerdji, in the Art Gallery Lucida, Belgrade 2018.)
Dreams, thoughts, sensibility, reality, visual arts ... all together in paints of the young artist Đerđi Ačaji are integrated in the name of her first solo exhibition: "Painter's diary of disappearance".At that point, her art began to develop towards the daily emergence, because in her works she creates new characters that occur through the formatting and figurative forms filled with feelings and captures them, extracted and uplifted above reality in surreal identifiable form in which appears the pulsating life in small. In these “stone” beings we recognize introverts as symbol of concentration of artistic sensibility trapped in the form of a being who dwells in indifferent relative to external projections of reality. With experiencesovertones of nostalgia for a time that precedes, towards people’s previous, knowledge, skills, qualities ... art of Đerđi seeks continuity, connecting the meaning of existence in the present than the past.
Art forms that formed the disorder as they want to close the internal clearing, sustaining a sense of fragility, in response to alienation and seeking effective individuals. In this process we can hint unobtrusive engagement in raising awareness of crisis of identity, value system, disturbances or neglection of real values and their duration.
Question is: are the hard-shelled invertebrates look similar as Quasimodo –literary symbol of social criticism, social circumstance and prejudices, rejected because of his physical deformity. Building on the preoccupation with the inner being is the logical question, how to transcend all these issues and feelings in a Visual form?
Đerđi Ačaji succeeded above mentioned in voluminous fuel forms, with hint of geometrical form, in some moments of dramatic relationship of light and shadows, unobtrusive presence of colorful palette, with the end results always balancing the composition as a whole. The specificity of balanced moves, every single part and merge together, form is characterized by its two-dimensionality, mode of expression, Artistic and Poetic. Within unconscious mind she is leaving the material world for the aim of returning into spirituality in her more recent works, noticing the increased intensity of the defining and art of figurative forms filled with emotion which distinct awareness from “rocky” sleep. In her skills of realization lies the artistic strength of Đerđi Ačaji which continues to run further, deeper and wider.
BiljanaJotić